Countdown To Christmas: Patrick Kavanagh's Christmas Childhood

It is a poem born out of loneliness and solitude.  Kavanagh wrote it after spending another festive season alone in his bachelor flat in Dublin and the poem is infused with nostalgia for rural, farm-family life, recalled through the lens of Christmas.

The memories come dressed in christian imagery, from the story of genesis to the virgin birth.

The first section of the poem sets the scene. The adult Kavanagh recalls the “gay Garden that was childhood's”: the frosted potato-pits, the music coming from the paling-post, the heavenly light between ricks of hay and straw, the “December-glinting fruit” on an apple tree. In that Garden of Eden, the most commonplace event —  even “the tracks of cattle to a drinking-place [or] a green stone lying sideways in a ditch” — was invested with a sense of wonder and love, the “beauty that the world did not touch”.

“How wonderful!” says the poet now, longing to return to this creative consciousness that as adult, he can only rarely access now.

In the second part

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How To Go Creative: D Is For Dimensions of Mind

Creating Money Creating Meaning

Dimensions of Mind. You have three:
1. Surface (Ego) Mind.
2. Deep (Emotional/Imaginative) Mind.
3. Beyond (Inspirational) Mind.
Your creative intelligence encompasses all three dimensions but become more creative invariably means choosing to develop the third more fully.
Doing so is a matter of another D word: Daring. In this context, the courage to create. As Rollo May said, in his classic of that name, “Human freedom involves our capacity to pause between

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Countdown To Christmas: Adrienne Rich's Translations

The social order is also the topic of the next poem but here gender is the dispossessor. Jesus, like every other human who ever lived was, in the words of the great Adrienne Rich, “of woman born” and Rich's “Translations” speaks of the politics of female love and despair love as experienced one Christmas day, on 25 December 1972.

That the male betrayal which ignites the female epiphany of the poem happens on the traditional day of family loving and giving is essential to the message of the poem. Rich's father was jewish, her mother a southern US protestant, and she was raised christian. Though the day is Christmas, the only concession to tradition is a little ivy. Though the scene is domestic — women fill an oven, bake bread, stir rice, iron a shirt, make a phone call — the atmosphere is

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Go Creative With… PL Travers

Last Week: Go Creative With… Patti Smith

Pamela TraversTen Thoughts on creating from Pamela Travers, author of Mary Poppins.

  1. The Unknown — our beautiful Anglo-Saxon word, intimate, reverberant, profound, not so much to be understood as stood under while it rains upon us — that is something I could live with and, indeed, have revered, cherished, and tried to serve for many a year and day.
  2. Call it the Unknown and one can conceive of the creative process as being a next door neighbor to it.
  3. C.S Lewis, in a letter to a friend, says, “There is only one Creator and we merely mix the elements he gives us” — a statement less simple than it seems. For that “mere mixing” while making it impossible for us to say “I myself am the maker”, also shows us our essential place in the process.
  4. Elements among elements we [creature creators] are there to shape, order, define, and in doing this we, reciprocally, are defined and shaped and ordered. The potter, molding the receptive clay, is himself being molded.
  5. Stories [creations] are like birds flying, here and gone in a moment.
  6. With that word “creative”, when applied to any human endeavour, we stand under a mystery.
  7. From time to time that mystery, as if it were a sun, sends down upon one head or another, a sudden shaft of light — by grace one feels, rather than deserving — for it always comes as something given, free, unsought, unexpected.
  8. There are no answers, only questions.
  9. It is useless, possibly even profane, to ask for explanations.
  10. Somehow, somewhere, the Unknown is known, perhaps – who can say? – to the wild bee!

[Adapted from “The Interviewer” in Creators on Creating: Awakening and Cultivating the Imaginative Mind. Frank Barron, et. al.1997. See Ms Travers, rather poorly represented, in the new Tom Hanks & Emma Thompson movie, Saving Mr Banks.]

Next Week: Go Creative With…Sebastian Faulks

How To Go Creative: B Is For Being

When Doing becomes infused with the timeless quality of Being, that is success.” ~ Eckhart Tolle.
Begin with being.

“Being” creative has two modes but from the outside we only see the second one, the “doing” mode. We see the artist painting the canvas, the cook stirring the pot, the gardener trimming the hedge, the businessman dealing with customers.

That doing mode kicks in during Stage Four, the Composition stage of the creative process. Before that, there are three, equally crucial but invisible stages: Intention, Incubation and Investigation of memory and imagination. These arise from the “being” mode.

So what is creative being? It’s the nothingness without which nothing can be. Consider a page of writing.  Between the words and letters is space. The words always get much more of our attention but both words and space are necessary to meaning. A page with only marks on it is all black. Unreadable. Meaningless. The more space around the words, the more meaningful they generally are, one of the reasons a page of poetry is more eloquent than, say, a page of legalese.

It’s the same with life. We have the content of our lives – the thoughts, feelings, events, experiences, stuff, people. The “thingness” of life, if you like. This we notice. But also always there is the  ”no-thingness”.  It too is necessary.

Nothing is what makes everything.

Conscious creativity needs us to take notice of this nothingness, this space that lies around us and within us. It is our creative intelligence and when we waken to it, we enter the timeless present. (It works vice versa, too: the more deeply we move into the present moment we are in, the more our creative intelligence is activated).

This is the creative zone and here is where we begin to really see, and to really know, drawing on capacities that are deeper than our conventional, analytical mind. This is the paradox of creative intelligence. By focussing on nothingness, thingness manifests.

“We reclaim a form of perception that was once common to all people and cultures, and which is innate in every infant born into this world ” says Stephen Harvard Buhner, author of Ensouling Language.  ”The conscious mind  begins to move into the background, and the statistical mentality  begins to be left behind…”

We’ve gone creative.
 

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How To Go Creative: A Is For Aha, Ha ha and Ahh

A is for Aha, Ha ha and Ahh, three dimensions of creative intelligence. The creativity theorist Arthur Koestler gave us these. Aha is a sense of insight, when we move beyond what we formerly knew: the Yes! Eureka! I get it! moment. Ha-ha is our sense of the absurd, the way we laugh when opposites combine, waking us out of our usual, singular way of seeing. Ahhh is the peace and freedom we feel when we sense our interbeing with others, with something beyond ourselves.
Expressive Exercise
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How To Go Creative: An A To Z

How To Create Anything

How can I be more creative. That's the request — sometimes a plea — that I hear most often.

It's the question that the Go Creative! book series was written to answer.

These books go on sale in January. To lead in, I'm doing an A to Z series that will introduce some of the concepts and hear about your own experiences and ideas.

I hope that you'll find the series useful and enjoyable. Questions and comments are welcome, in the guestbook or below.

And in the meantime, here's an extract from How To Create Anything: The Seven Stages of The Creative Process to whet your appetite.

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Countdown to Christmas: Anne Sexton's "Christmas Eve".

From now until the Sunday after Christmas, the blog's Sunday poetry slot will be given over to a selection from Poetry for Christmas. This week, Anne Sexton's “Christmas Eve”, takes us into the searing heart of a complex mother-daughter relationship.

Anne SextonThe Christmas story has nothing to say to daughters and that's often a source of anger for women poets. In “Christmas Eve”, Sexton captures such daughterly anger within agonising imagery and a tightly controlled rhyme scheme and rhythm that slowly unpeels her ambivalence: your ageing daughters, each one a wife/each one talking to the family cook,/each one avoiding your portrait,/each one aping your life…

What takes the emotion beyond the poet's individual relationship with her mother into something more universal is its allusion to

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WB Yeats Poems Inspired By Iseult Gonne

White bird Symbol of Maud Gonne & Iseult Gonne
White bird: a symbol in Yeats's poetry for both Iseult & Maud Gonne

In “A Memory of Youth” Yeats acknowledged how his poetic inspiration had dried until the intervention of “a most ridiculous little bird [who] Tore from the skies his marvelous moon.”

The little bird was Iseult Gonne, who saw herself as both pupil and teacher to Yeats.

Their friendship was founded on intellectual and spiritual connection and an attempt by Yeats’ to cast her in the role of muse from which her mother had disqualified herself.

At the time of his romantic attachment to Iseult, When he was seriously considering her as a wife (1916 to 1918), Yeats was working on the first volume of his autobiographies – reliving his infatuation for the mother while becoming

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Who To Follow On Twitter: WB Yeats, Maud Gonne and Iseult Gonne

Willie, Maud and Iseult, three of the most imaginative people who ever lived, never imagined the Internet or Twitter.

If they were alive today, I imagine Maud would leap on Twitter for PR purposes, Iseult would shun it, and Willie would dismiss it for a time, with a lofty air of Parnassus, for the low-brow level of the conversation and the low-bred emotion of the crowd… but then be drawn in by finding his own way to use it.

I like to tweet regularly about Yeats and the Gonnes, as I find interesting new information about their life and work. You can follow those tweets here.

And here's a Storify list of people to follow if you're interested in learning more:

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