Dancing in the Wind Snippet: “You Are a Married Man, Sir!”

Willie Yeats was not the only poet to be attracted to Iseult Gonne. His young secretary, Ezra Pound, though married, also set about winning her favour and in the same way–through their shared love of books and writing.

This is another snippet from my work in progress, Dancing in the Wind. If you'd like to receive a monthly extract, and contribute to the writing of this book, check out my Patreon Fiction Membership

Until next time, happy reading!

x Orna


“Ezra! Honestly, the things you say.”

“It will be just because you're a scion of the house of Gonne. Try me, insteadium”. He lunges, half in jest, to kiss her, clumsily misses as she dodges out of his way.

“Fie Sir! You are a married man.”

“Alas, I fell in love with a picture that never came alive. Whereas me…” He makes claws of his fists, mock snuffles and paws at her.

“I am wildlife in the flesh. Grrrrrrrrrrrrrrrr!”

“And I, Sir, am as confined as a virtuous young woman must be.”

“Ach, really?” He pulls back, acting a picture of excessive disappointment. “The rectitudinals? You didn't strike me as a prude, Miss.”

“It is with regret that I must decline your chivalrous and cultivated offer.”

And they both break into laughter, looking fully at each other, happy with their mutual measure.

“Then to writing, me supposums,” Ezra says with more mock regret.

“Yes Sir, as arranged.”

Emerging from the protection of the park by a side gate, she feels the silence that was upheld by its thick foliage, fall away. Late afternoon is falling on London now, the summer light starting to cool and fade, but the city takes no notice of the rhythm of the day. Its motor cars keep tooting, the army trucks grind on. Ahead of her and Ezra a trudge towards Westminster Bridge, in the middle of the uproar.

She always knew the relief she'd feel on leaving Paris, getting to Normandy, or anywhere in the country. That was the nicest thing her father had ever done for her, purchase the villa “Les Mouettes” at Colleville, so she and Moura could spend their summers on the coast. If she were there now, she'd be walking alone, able to feel the fading of the day. She had a sudden great longing for its freshness.

London was worse, even, than Paris, maybe because of the war. Frumpy English ladies tramping grimly through the queues.

Bandaged men, nursing their injuries, and their bottles, in doorsteps. And the noise! Carriages and motor cars, the omnibuses and trams, the sharp jingle of the barrel organ on Westminster bridge as they pass. To add to the tumult, Big Ben begins to ring out 5 o'clock. Every hour, the musical lead up, then the count, boomed out. Peremptory. And other hour dead.

The echo of the great bell follows them inside as Ezra ushers her into a corner café, and leads her to its corner table, without looking right or left for permission. He offloads the condiments onto the window shelf, and spreads his papers across the white linen.

Her writing, marked with red lines and corrections.

“There is much here that is fine”, he tells her, a finger pointing to a particularly continuous red mark.

“I did warn you, Ezra,” she says. “But you would so insist.”

“Diddly-odlums, girl. I said ‘There is much here that is fine.'

A waitress comes to take their order. Iseult's stomach is cold with nerves. Food and drink are the last things wanted, but she orders an Assam tea and a sticky bun.

“Fine, as in more than acceptable, admirable in parts.”

She looks down again at his markings, then up into his face. Kindness. That is almost worse than the corrections.

“My first advice is get rid of poetic diction, and all that is artificial or abstract”.

“Yes. Abstraction is my great fault.”

“You must breathe the fervor of your life into your work. Your own nature as it is, the evil with the good. Have you a pen? Good.

Write this down. Read everything there is to read of the kind of work you want to do. Then find a few things out of the usual way which no other living person who matters has read.…”

He leans back in the chair, eyeing her through half-closed eyes, as if approximating her weight or heft.

“Read Voltaire’s Dictionnaire Philosophique or something of that nature in its entirety, then understanding all, drop all…”.


He has leaned so far back that he has broken the leg of the chair.

“Ezra!” Iseult jumps up. What a sound. His back!

The talk stops. Everyone is looking around. Tea maids, all black dresses and white caps and aprons, are running to help.

Ezra is still talking.

“…but find some territory of print you can have all to yourself. Being French gives you an advantage here. It’s a great defence against fools…”

He is picking himself up only slowly, still talking, acting as if nothing at all had happened. His eyes twinkle at her, asking her in on the joke of it, the nonsense of it. Falling or sitting, what matter? “…Yes, a shield against fools and the half-educated, and the over-educated… dons of all sorts. You understand?”

The tea-drinkers return to their cake. Iseult sits back down, picks back up her pen.

“That is your shield. You understand?” He holds her gaze, suddenly solemn. The staff hover at a distance, still concerned, but his attention is all hers now. No joking now.

She looks fully again into his lynx-like eyes. They are the color of wood moss. “Yes Ezra, I understand. I must protect the part of me that writes from the critics and the commentators.”

”Good girl. Precisement! Then, if you give yourself over to me, you shall soon think yourself born in free verse”.

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